Resume

W a y n e  V i n c e n z i

COMPUTER GRAPHICS LIGHTING LEAD

Tel. 310-658-3773Ÿ * Email: wayne.vincenzi@gmail.com

SONY IMAGEWORKS (2011-present) Software: Katana, Nuke, Arnold Global Illumination Renderer
Lighting and Compositing for the movies “Arthur Christmas” and “Spiderman IV”
IMAGE MOVERS DIGITAL (2008-2011)
Lighting and Compositing for the movies “Christmas Carol” and “Mars Needs Moms”

DISNEY FEATURE ANIMATION (2006-2008)
Key Lighter for the movies “Meet the Robinsons” and “Bolt”

SONY IMAGEWORKS (2003-2006)
Lighting and Compositing for the movies “Haunted Mansion” and “Polar Express”

CINESITE (2000-2003) Software: Maya, Renderman, Slim, Shake
Lighting for Cerebro sequence for XMEN II
Lighting Supervisor (Promeththeus and Athena space ships) for “Solaris” Lighting for elevator shaft in “Oceans Eleven”
Lead Lighter for Bridge and Factory in “Mothman Prophecies”
Lighting for “Spy Kids II”
Lighting Supervisor for Demon and Military vehicles “Megiddo” Development of Cinesite comprehensive Renderman Lights
Lighting Supervisor for robot AMEE in “Red Planet”
Lighting and animator for Police Gun sequence in “Xmen”

DISNEY FEATURE ANIMATION (1996-1999) Software: Maya, Softimage, Renderman, Illusion Lighting and Compositing Technical Director for “Dinosaur”

BOSS FILM (1993-1996) Software: Kinemation, Ultimatte, Renderman, Elastic Reality CG supervisor for the movie “The Scout”
CG supervisor for the commercials “Bud Japan Baseball” and “Bud Japan Shuttle” Technical Director animator for the movie “Species”

Technical Director for movies “Outbreak”and “Drop Zone” Technical Director for “Bud Bowl” commercials

VISION ART (1989-1993)
“Deep Space Nine”: Title
“The Adventures of Young Indiana Jones”: Title
“Star Trek Next Generation”: animated blob creature
“Cone Heads” the movie dream sequence
“The Paper” Title sequence
“That Time of the Month” and “Mastergate” cable movie Design and Animation “Lois and Clark”: character animation

VSE CORPORATION (1986-1989)
Assistant Director, Computer Graphics for industrial visualization

EDUCATION:

California Institute of the Arts (1983-1986); Master of Fine Arts in Animation Pratt Institute (1980-1983) Bachelor of Fine Arts in Drawing/Illustration